‘Though I admire memoirists very much, and in the glory of the internet age, the personal essayist, I can’t write like them. Yet all my poems are rooted inside my life...’
Read More‘At this year’s Sydney Writers Festival, I spoke about self-determination through literature. After the panel, I got approached by a White woman who asked me what places she should visit in Vietnam and how to pronounce Phở.’
Read More‘Part of me feels like coming out as a trans person has been the easiest part of my whole artistic career.’
Read More‘I viewed myself more as a leaking receptacle of culture than as an agent shaping and defining it.’
Read More‘The personal is political, especially for people from marginalised and minoritised groups, and to me, art is personal—so, then, art is political.’
Read More‘I’ve gone through many phases of being Chinese-Canadian: curiosity, realisation, ignorance, acceptance, and finally a full and forgiving self-embrace.’
Read More‘Don’t bully yourself by constantly comparing your work and your output to other people; some people work quickly and some more slowly, some have more time, or more access to materials.’
Read More‘As a person of colour, in the arts it’s an exciting time where for the first time it feels like voices and stories from diverse communities can just ‘be’, rather than curtailing to a white framework as a given.’
Read More‘I have been thinking a lot of the power imbalance between artists and curators / arts workers. Inequality runs so deep within this power structure. I believe that there is so much to be done, to be changed.’
Read More‘What I am suggesting is that some people may have either multiple senses of belonging to diverse cultures or no sense of belonging even to one culture at all.’
Read More‘Fantasy literature shaped me wholly... fantasy as a mode is about transformation & so is poetry itself. It rearranges the possible.’
Read More'Exposing the ways that those discordant parts exist is important to me: here I am, I do exist, & I’m probably not the only weirdo in this situation so I’d like to connect to people who can understand. Liminality is the only constant thing about me.'
Read More'There is a tendency to only talk about exploitation of workers in the garment industry as something that happens overseas, but it happened in Australia for a long time.'
Read More‘We deserve to be happy. We have the right to be seen, and the right to demand to be seen.’
Read More'Musical theatre is shockingly white, and a lot of ‘classic’ favourites are decades old and racist in content and casting. However, the way those stories are told is deeply familiar.'
Read More‘Pursuing a career in the creative fields is a luxury... When you've struggled to put food on the table, the mentality is often ‘why would you go out and choose to deliberately be poor?’
Read More‘I’ve always been fascinated with still life, and the visual puzzle of creating balance in arrangement—why does an incremental shift within a set of objects make my brain see disharmony and imbalance?’
Read More‘Reading is great, and incredibly important, talking to writers is also good and important. But writers write. There is no other secret.’
Read More'I have more recently embraced the non-white, female, cross cultural box or label, and have felt strength by owning it. At the same time I feel uncomfortable to be boxed in by it—it is complex.'
Read More'Writing has helped me to understand and accept aspects of who I am.'
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