
“I think there is a shortage of works by first-generation adult migrants in the cultural scene of Australia, considering second- and third-generation migrants have produced an abundance of excellent works. “
“I don’t think it’s worth making something beautiful at the expense of people’s wellbeing, and therefore building the team meant I was looking for people who possess certain morals over their level of experience.”
“Towards the end of drafting, I had a note to myself that I looked at almost every day: Write like a daredevil. It’s earnest and slightly manic—but in the end, it was the only way to do it.”
“Writing criticism, editing and composing poetry are all different variations of playing with words, but each one flexes a different muscle. I am a better editor and critic because I am a poet and vice versa. “
“We don’t have to excel by being the best for our voices and stories to be validated. I find it much more interesting seeing what I can create by a more compassionate and open approach. That doesn’t stop me from giving it my all when I can.”
“I imagine my published stories and essays having their own lives in the world, and their own encounters with discerning and generous readers that enable them to grow and take on new meanings. This is the beauty of art—it’s a living, breathing, growing thing.”
Interviews
“For me, sustainability is always beyond just fabric. It's about how I can sustain my business, my team, myself and my mental health so I can do this for the long run, especially being a mum as well.”
“I don’t have the nerve to go back through the novel to examine its sentences; it would feel too close to being confronted with past crimes.”
"If the empire crushes Palestine, no one wins—we’re all doomed. Which is why when we say ‘A free Palestine frees the world’, it is because a free Palestine frees the world. That’s why this fight is so important."
“Being who I am, namely Australian Chinese and female—two distinct drawbacks in mid-20th-century Australia, especially in the small apple isle of Tasmania—I grew up totally outside the norm in white assimilationist Australia, when those with non-Anglo-Celtic backgrounds were expected to merge with the majority and forget their own cultural backgrounds.”
“Writers seem to come into their literary prime, so to speak, later than other artists because it can take time and long years of lived experience to create something fresh and moving on the page.”
“Art is expressed in so many different ways and forms—you’re wearing a piece of art when you’re wearing my silk, but I see it as more of a design that’s made from pieces of art.”
“Working in telly, it’s astonishing how much writers’ rooms feel like the engine rooms of cultural production—whose stories we [decide to] tell determines whose humanity we value. I think the centrality of cis straight white characters in our major narratives facilitates a grave dearth of empathy in this colony.”
“So much of what we live is complicated or conflicted, and based in feeling, and not in words. Language allows us to get very close to saying what we mean, but to me it always falls just short.”

screens | Curated by Adolfo Aranjuez

Notes
Playlist
