‘My mum showed me the most important thing is having a heart.’
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‘We are perhaps trying to articulate a truth that is more felt than understood.’
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Priya talks to us about creative outlets, the language of Punjab, and how poetry can be woven into daily life.
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We talk with Raphael Farmer about reading, Sailor Moon, gay relationships, making connections, and writing from the heart.
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We talk with Sukhjit Kaul Khalsa about learning how to perform and her current projects.
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We talk to Liminal Fiction Prize Runner-Up Claire Cao about writing and her story, ‘See You Tomorrow’.
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We talk to Liminal Fiction Prize Winner Bryant Apolonio about his winning piece, ‘Bad Weather’.
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‘My short fiction is often driven by fury over disempowerment; a response to pain and discomfort, however temporary or permanent.’
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We talk to Anupama Pilbrow, who was successful in a curatorial takeover of the NIDA Melbourne studios for the upcoming event, NIDAnights: ITERATION with The Suburban Review.
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We talked to Giselle Au-Nhien Nguyen, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
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We talked to Lian Low, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
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We talked to Sreedhevi Iyer about her debut collection, Jungle Without Water.
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We talk to Bailee-rose Farnham about ‘Lou Wall’s Drag Race’, debuting in the Melbourne Fringe 2018.
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We talked to Hyun Lee about ‘ASIAN GIRLS’, debuting at MIFF 2018.
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We talk to Nikki Tran about ‘FRESH!’, her latest webseries.
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We talk to Matt Huynh and Jackie Ruddock about their collaboration at The Social Outfit.
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We talked to Flower Boy 卓颖贤 about her first EP, FASCI(N)ATION.
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We talk to the organisers behind The Next Chapter, an unprecedented new way of supporting writers.
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We talk to Hetty McKinnon about Peddler, a recipe-driven journal documenting the in-between moments of food.
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Maryam Azam talks to Robert Wood about her debut poetry collection, The Hijab Files.
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