‘I came of age to an industry completely decimated by digital disruption so every job I have in the media I assume is going to be my last.’
Read More‘When you do community art, a question that is simple to ask but hard to answer is: how much actual power are you giving to community?’
Read More‘To painstakingly pencil, ink and shade my memories made them feel more real and valid.’
Read More‘ …the art world speaks of progressiveness and equality, but in practice, is a brutal and unforgiving place for parents and carers, particularly women.’
Read More‘…our government systematically incarcerates and tortures the most vulnerable humans in the world and keeps it secret, and the music you make is not separate from that.’
Read More‘My biggest fear as both a writer and an editor are that good ideas die when there’s no one to see value in their earliest articulations, or defend them.’
Read More‘We are living in the Age of the Immigrant, the Refugee and the Nationless Wanderer for whom poetry seems like the only home.’
Read MoreI’m interested in communitas, intimacy and conversation - and what better vehicle for all that than being around a table full of food, and being given the simple task to savour the meal?
Read More‘Art is best created when we shift our own paradigmatic interpretations.’
Read MoreThe larger part of the work is empathy. How can I put myself in somebody else’s shoes as much as possible?
Read More‘I learned to use humour as a literary tool to disarm and engage an audience…’
Read More‘Our compulsion to tie our sense of belonging to something concrete is linked to our innate desire to be accepted or to be perceived in a certain way.’
Read More‘It’s an ongoing question for me: how do you explore racism without perpetuating it?’
Read More‘Carving out time to attend and facilitate discussions about books, to float in the realm of ideas, is like oxygen.’
Read More‘I think our other task as writers is to understand, and treat seriously, the feedback loop of stories and reality.’
Read More‘There was a time when I wondered if opening my heart to other places made me less Pakistani. If writing poetry in English, and not Urdu, made me less authentic. But over time, something has changed.’
Read More‘Living as a minority in two multicultural societies has brought challenges, but not adversity.’
Read MoreI suppose writing every day meant I was always giving myself the space to show up on the page, rather than in person.
Read More‘I’m sick of looking to international TV shows and podcasts to see and hear myself.’
Read More‘At the start, it’s hard to know what rejections mean. Is your writing shit, or does the editor just not understand your work? Persist and stay true to your vision.’
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